Online shopping now available at www.lpgear.com
The Era Gold Mk V phono preamplifier is unlike any other phono preamp. It throws current thinking to the wind, and concentrates on its singular and only critical mission — that of reproducing music the way music sounds. The result is what we call the listener's phono preamp. Michael Fremer in the Stereophile January 2004 issue (Vol. 27 No. 1) calls it the "miraculous phono preamp" for its ability to change and dramatically lift an entire system's sound quality and make music sound real! Subsequently, Stereophile in the April 2004 issue (Vol 27 No. 4) , October 2004 issue (Vol 27 No. 10) and April 2005 issue (Vol 28 No.4) awarded Class A $$$ Recommended Component rating on the Era Gold MK V thus making it the least expensive component within this exclusive class of superlative achievers. Others cost US$1,500-US$15,000! The complete original review is available in Adobe Acrobat file. To view the review, click on the link. To download, right click link and select "Save Target As..." (EraGoldMkV.pdf). See also the additional Stereophile reviews and the TNT Audio Magazine review (click here) of this acclaimed phono preamp.
The Era Gold Mk V is designed for use with the highest quality turntables, tonearms, moving magnet, moving iron, and high output moving coil cartridges which require a fixed 47k Ohm load. This single-minded focus removes all design compromises thus setting the music free!
Because there are no switch contacts in the signal path and because of its extremely fast amplifier stages with matched, high speed, low dielectric absorption RIAA networks, the Era Gold will retrieve detail from records with crystal clarity and precision, produce an amazingly accurate and stable stereo image, tight powerful bass and fantastic detail resolution with vast improvement to musical timing and timbre, along with the ethereal or ephemeral feel of valves. The resulting sound is startling in its musicality!
Results you can hear
As with many high performance products, the results it gives will only be as good as the source feeding it, but with a good turntable-arm-cartridge combination the results will be heard. At last, much of the grittiness blamed on the vinyl medium is exchanged for real music. Brass, with its complex harmonic structure appears as it should, rather than the usual distortion you get with slower preamps.
As, is usually the case, it's the attention to the smallest details which make the biggest difference to how things sound. With the Era Gold, these small details are reproduced with such finesse that the music is brought to life. The life it had when committed to the master tape! Not just with modern high quality pressings or direct cut discs, but with used vinyl too, right back to the birth of RIAA stereo recordings.
How this is achieved is based on Graham Slee Projects concept of phase integrity, which can only be realized by fast electronics, which in turn is an art seldom understood, or achieved by other phono preamp manufacturers. Every natural sound has its harmonics. These harmonics carry the information our hearing needs to distinguish between instruments, voices, the particular way in which they are played or sung. They also carry the micro-information about the recording venue, the microphone placement, the reverb - natural or synthetic - sounds and energies that make up the backdrop to the recording, and that backdrops perspective.
The power supply used to power the Era Gold is the PSU1. It uses extremely low impedance, high temperature reservoir capacitors, paralleled for even lower impedance prior to a voltage regulator, which itself is very low impedance. Its 12 watt peak capability is far greater than the power demanded by the Era Gold.
Additionally, the voltage is regulated a second time within the phono preamp itself, providing an extremely clean power supply to the amplifiers. It is further improved by distributed tantalum capacitors. However, it is GSP's attention to the signal ground which makes the biggest impact. The ground is many orders of magnitude more stable than any other phono preamp in the market, no matter how big the power supply!
The fast circuitry of the solid state Era Gold places it on par with many a tube phono preamp. In fact, it can be quite difficult to differentiate between it and a tube preamp. However the Era Gold carries none of the frequency limitations (Miller capacitance). Many have found it unbelievable that such a big, controlled and astonishingly musical sound can be "made" by such a small "box".
The Era Gold phono preamp is powered by the outboard PSU1 power module which is included.
A listener enjoys music and is fastidious about it. He/she will take the time to assemble components that will maximize the musicality of his/her playback system. This applies whether the system is modest or stratospheric. It's an attitude towards music and much about life really. This attention to detail differentiates the true listener.
The Era Gold is the listener's phono preamp because it brings real music to life. It also requires patience. It requires a month of actual use before it will let you experience its grandeur. Afterwards, the Era Gold Mk V becomes "miraculous."
Galen Carol Audio at www.gcaudio.com
or tel # 201-805-9927 (San Antonio, TX)